Why is the Divine Proportion and Divine Proportion Divine?

This question is still being asked today. XV. Despite the statements made by very important scientists and very valuable artists since the 19th century, it would be appropriate to remember the essence of the "Divine Proportion" mentioned earlier here, with its extraordinary features and the values ​​it contains. First of all, let's see five features that are suitable for the meaning of God, which include these extraordinary qualities:

1. Like God, he is the only one.

2. It is a three-element gem, as in the sacred "Trinité".

3.Just as God cannot be described in words, even if it cannot be explained by an intelligible number or a rational quantity, his always-hidden mystery has been called `` irrationnelle '' by mathematicians (the expression `` occulta e secrete '' has a secret and enchanting character hidden in it. ] which is another point that Pacioli discovered to us as "revelation".

4. He is always like himself, like God.

5. In the study, the fifth feature, which constitutes the whole of the second chapter, is devoted to the construction of corps réguliers.

Pacioli wanted to connect him there to such a divine element, to a gem called "quintessence" (which is also considered the essence of the Self), which constitutes the whole of nature with the creation of four elements, like a representative of celestial virtue. Pacioli analyzes 12 different Divine Influences related to "Divine Proportion" and subsequently formed with it, and elaborately describes the three-term proportion called "irrationnelle", which constitutes the first effect there. He calls it the number (Φ). [see nombre d'or golden number:]. The 12 Divine Powers that follow:

1. the essential foundation (essentiel),

2. Unlike others (Singulier),

3.It cannot be explained, cannot be defined verbally (ineffable),

4. Admirable,

5. Cannot be named,

6. Invaluable,

7.Excessive

8.'X 'is unknown,

9. Suprême,

10. Uniquely perfect,

11. Incomprehensible,

12. Very valuable. All these concepts constituted a "CONCEPT OF ALL" that emerged from the "Divine Proportion" at that time.

In other words, a conscious recognition formed duly from the Whole; which is also to recognize and understand the values ​​and to reflect them on "authentique" works, as in the true sense of painting. This occurs together with the search for Truth, which is an integral element of "DIvine Proportion". Essentially, "La Vérité" et "La Divine Proportion", "(Truth and Divine Proportion)" are multidimensional, indispensable elements of the arts and sciences. "Renaissance" is based on the works of Paolo Ucello and Piero della Francesca, followed by Fra Luca Pacioli's introduction of "La Divine Proportion" and Leonardo da Vinci's additionally poler form with "Dodéacaèdre" in the m m system. With his creation and assertion, sciences, mathematics, "Philosophie" as well as the registration of these, and even as a result of being tuned and deepened with the idea of ​​beauty and perfection, the art of painting has entered into dimensions.

Thus, the reflection of "Renaissance" continues as a harmonious and universal radiation of "Divina Proportion" in all areas of the arts and science world. J. Kepler's canons prove the perfection of "Divine Proportion". In his DW Leibniz (Théodicée and Monadologie) he was bringing an improvement to the basis of mathematical analysis by the calculation of a pre-established harmonious order, or better, the "L'Esprit Integral". Which was due to a philosophical view that said, "All is for perfection." For E. Kant's idealist philosophy that combines the existence of God with raison pure and immortality; and although it is thought to be irrelevant here, M. Planek (Planek constant, which is the basis of modern physics, the movement of light with "quantras"), as well as the wavy course of light by JC Maxwell, "électromagnétique" 'for their inventions; and especially N. Bohr's discovery that the Hydrogène atomic structure is under the "Divine Proportion" order; and finally the discovery of the immortality of the Hydrogène Proton.

Isn't it for all this, and our thoughts immerse us in the depths of the "Philosophie". In fact, like the beginning of the '' Theory of Wholes '' of modern times, the first '' autopolaire '' or '' pyramidale '' of existence that contain matter and which constitute the creation of the Universe by the superposition of the forces of God, go further to recognize from the origin of the '' Théologique ''. , has been visited until the time of the pharaohs. It can be said that, under the name of "Painter of Truth" "Divine Proportion Group", these two notions that are deeply inseparable underline a new understanding in terms of revealing the true values ​​hidden in the art of painting. And if they are duly held as in ancient times, they will inevitably create an immense power against false values ​​created by pluralistic ignorance that benefits from all kinds of ugliness in today's so-called contemporary, degenerate course.

The '' analogique, harmonique, théosophique '', logique or '' Philosophique '' that establishes the connections formed with the geometry and dimensions hidden in the infrastructure, the '' form, figure '' or '' '' formed on '' Charpente '' The composition that brings together the valeurs is thus moved to the "Hyperplan" shown above. In simple terms, the desired ideas, feelings or other notions can be reflected in the works of painting in true values. In the name of art, we are sensitive to prevent the degeneration of the scum that has been recently fabricated or inserted for the interests of the artisans and parasites, and to provoke them against them by using the same media tools or with the new possibilities offered by technology such as the Internet, and to dry and destroy this morass of ignorance with knowledge, `` éthique '' , esthétique '' we believe in the necessity of being next to the values. Undoubtedly, ensuring the emergence of values ​​by preserving the truth will please everyone who loves the good, the beautiful and the good.

AS A SUMMARY: '' LA DİVİNE PROPORTİON '' reflected by '' THE CONCEPT OF ALL '' or '' THÉORİE DES ENSEMBLES '' IS PERSONAL TO EVERYTHING WITH ITS SUPERIOR STRENGTH '' (OMNIPOTENT) '' IN ACCOUNT OF OWN (OMNIPOTENT) AND BY THE HIS SURGERY CREATING THE '' DODÉCAEDRE '' IN THE STRUCTURE INCLUDES GODIC QUALITIES WITH THE FOLLOWING CONTENT:

1.The First Pôle Canonique, symbolizing the '' LA DIVINE PROPORTION '' AS '' SOUVERAIN '' has the motto of '' the Great Creator '' in a formation, joins with it while forming the '' Dodécaèdre '' by carrying the 'Great Rhythm' of the Universal life and Within the scope of the "First Principle" of creation, it transmits the Divine powers attached to the "Omnipotent" above all.

2. The second Pôle, which includes the concept of "Hypercosme" as well as the aide of the first Pôle la Dyade Sacrée, considered as the Queen of the Universe and the goddess of fertility, balances the divine powers as the second principle of Creation called "Principe Féminin". It can attract "surnaturel" (supernatural) powers as well as the fécondatrice and dualitaire attributes.

3. "Théologique" at the top of the dodécaèdre, the third Pôle, "may have powers descending directly from the" Omnipotent, as well as the spiritual forces combined with transmissibility from the only two principles of creation (Thélogique trinitaire mystère), Saint Esprit includes concepts such as la raison (Truthful Logique) and l'âme.

4. (The fourth Pôle, which may be invisible or invisible due to the distance, the fourth Pôle, the "Distance" measure consists of 3-dimensional 4 points with the overlapping of three "tenseurs" connected to divine powers in depth under mysterious, creative and destructive distances. creates the first "autopolaire" item in the deltaïque structure.

5. The Fifth Pôle symbolizes "GOD'S LAW". Although the `` Omniprésent '' (always and everywhere is ready callus and does what is necessary by keeping all kinds of matter in the universe under its transmissibilité quality, the main reason why it is symbolized in the 5th Pôle is necessary with the `` Divine Proportion ''. While reflecting the same quadripolaire form and the harmonic character of the Sacred Pentade to the whole Universe, the “cosmique harmonie” is because it is the ruler of all Nature with its perfection.

6.Though symbols such as '' Dodécaèdre '' based on the attribute of God '' Éternel '' (indicating eternal, eternal, eternal time) incorporate all of the symbols, time itself is immaterial and therefore '' Métalogique '' despite its extraordinary power. In addition to its "omniprésent" quality, it is an infinite power in eternity that includes creation and destruction with time-espace permeability, making itself felt everywhere and always, whether known or not.

7.It symbolizes the infinities of Space that can be balancedly displaced as polaire with the infinity of time.

8. '' Ensemble vide '' Ø, destroyed by the '' Law of God '' due to opposition, being 'hollowed out', unworthy (even in the multitude, the group or its elements with their temporary positions, often reduced to zero like functional zeros and disappeared. ) functional whole.

9. "Ensemble Logique" "Within the polaire structure of" Dodécaèdre "LOGIC comes from universal or philosophical depths and has the perfection of pure mind that highlights its essence with a regular pentagon, and it is one of the two frames in the symbolic whole.

10. While the 'Ensemble Analogique' carries the sacred couple '' Dyade '' and '' Pentade '' coexisting within the 'Sacred' 'Décade', the '' Théologique '' '' Analogique '', '' of the Whole, which goes beyond this. It contains the 'creator in the balance of Polaire' 'Matrice' and the basis of the 12 polaire God power.

11. '' Ensemble Philosophique et Physique de la Nature, '' ki, `` Théologique, Logique, Philosophique '' reflected in space in the form of '' Nombre D'or '' in arithmetic, '' Section D'or '' in arithmetic, In addition to its forms, the '' First Principle '' of '' Divine Proportion '' '' canonique '', which is the ruler of nature with its perfection formed by '' ryhtme '' and '' harmonie '' like the light directed in the balance of all natural forces in terms of physics. It marks its pôle, which includes the "Omnipotent".

12. '' Ensemble Métaphysique '' Unit '' which forms the basis from the Whole in the form of '' Divine Proportion ''. That is basically the polairement philosophique balance of the whole nature and becomes the cause of the "Cosmique" harmony in the Universe; So much so that it is a concept that can go beyond physics with the mathematics or physics unit formed by the "hierarchique" transition (transmissibilité) and balance in the balance of arts, angels coming from God, both as a "quadratique" as a rhythm and as a balance element. Until the '' unitary '' structure, which constitutes the balancing harmonic element of the '' Divine Proportion '' which is transitive in the same form as the Law of God, and beyond it. He proves the justification of "Métaphysique". Therefore, the essence of such a essence coming from the origin of "La Divine Proportion", which belongs to the superior power (Force Majeure) from the '' Omnipotent '' '' (quintessence), while collecting all these deep notions in its body, the notions that are underlined and explained. well deserves to be kept on top. In addition, these explanations will not only be useful in telling us the secrets of life, but will also enable us to analyze and evaluate them subtly, rather than looking at the works seen in the art of painting. As a result, this narrative is a short explanation made on a very complex subject such as “The Theory of Wholes” (which will help to understand the content of our title) as well as the art of painting.